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The Social History of Smoking

George Latimer Apperson

Chapter 14:

Readers of Sir Walter Scott will remember in "The Heart of Midlothian" one curious instance of eighteenth-century smoking in church—in a Scottish Presbyterian church, too. Jeanie Deans's beloved Reuben Butler was about to be ordained to the charge of the parish of Knocktarlitie, Dumbartonshire; the congregation were duly seated, after prayers, douce David Deans occupying a seat among the elders, and the officiating minister had read his text preparatory to the delivery of his hour and a quarter sermon. The redoubtable Duncan of Knockdunder was making his preparations also for the sermon. "After rummaging the leathern purse which hung in front of his petticoat, he produced a short tobacco-pipe made of iron, and observed almost aloud, 'I hae forgotten my spleuchan—Lachlan, gang doon to the Clachan, and bring me up a pennyworth of twist.' Six arms, the nearest within reach, presented, with an obedient start, as many tobacco-pouches to the man of office. He made choice of one with a nod of acknowledgment, filled his pipe, lighted it with the assistance of his pistol-flint, and smoked with infinite composure during the whole time of the sermon. When the discourse was finished, he knocked the ashes out of his pipe, replaced it in his sporran, returned the tobacco-pouch or spleuchan to its owner, and joined in the prayers with decency and attention." David Deans, however, did not at all approve this irreverence. "It didna become a wild Indian," he said, "much less a Christian and a gentleman, to sit in the kirk puffing tobacco-reek, as if he were in a change-house." The date of the incident was 1737; but whether Sir Walter had any authority in fact for this characteristic performance of Knockdunder, or not, it is certain that any such occurrence in a Scottish kirk must have been extremely rare.

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The Social History of Smoking

George Latimer Apperson

Chapter 11:

Thirty years or more ago the late Andrew Lang wrote an article entitled "Enchanted Cigarettes," which began-"To dream our literary projects, Balzac says, is like 'smoking enchanted cigarettes,' but when we try to tackle our projects, to make them real, the enchantment disappears-we have to till the soil, to sow the weed, to gather the leaves, and then the cigarettes must be manufactured, while there may be no market for them after all. Probably most people have enjoyed the fragrance of these cigarettes and have brooded over much which they will never put on paper. Here are some of 'the ashes of the weeds of my delight'-memories of romances whereof no single line is written, or is likely to be written." What Balzac said in his "La Cousine Bette" was-"Penser, rêver, concevoir de belles œuvres est une occupation délicieuse. C'est fumer des cigares enchantés, c'est mener la vie de la courtisane occupée à sa fantaisie." Balzac's cigars became cigarettes in Lang's fantasy. The French novelist seems to have been one of those who praised tobacco without using it much himself. In his "Illusions Perdues" Carlos Herrera, who was Vautrin, says to Lucien, whom he meets on the point of suicide: "Dieu nous a donné le tabac pour endormir nos passions et nos douleurs." M.A. Le Breton, however, in his book on Balzac-"L'Homme et L'Œuvre"-says: "Il ne se soutient qu'à force de café," though he would sit working at his desk for twenty-five hours running.

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